Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound). In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. Scroll down for timestamps of each feature covered and the shortcuts.This is a fantast. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. In this tutorial I take a deep look at the Edison plugin in FL Studio. The hands-on Power button makes it easy to fit HalfTime into your tracks create a rapid switch or sink in slowly with smooth fades up to 16 bars. MIDI messages can control both instrument and effect plugin parameters.
Without considerable care and a whole lot of number crunching, this process will create audible artifacts. MIDI sync to modulate the effect in sync with the tempo). Playback of wavetables requires digital resampling to play different frequencies.